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4

I made this over the weekend from a Wanderlust lesson. I was really resistant to this lesson and kept letting myself get busy and not get to it, but finally I told myself to just do it so I could move on. I wanted to change the instructions, do some other things, do something easier than cutting out the fussy silhouettes... But I made myself follow the rules so I could learn the techniques.

I love this spread! A lot. I will probably do this again. I will probably add some of the things I was going to do in place of the stencil and mask to see what happens. But I wouldn't have that base to start from for experiments if I hadn't first followed the rules and learned the techniques.

So what are my takeaways here?

  • If you're really resistant to something, you should do it to find out why. For me, I don't do silhouettes and I was uncertain of how to do the paint around the edge of the mask, and I wanted writing in the cat silhouette but don't like my handwriting, so I was avoiding all of it.
  • Follow the steps. Learn the techniques the way they're laid out (like when you're learning to cook a new food), then you can change things up, experiment, make it your own.
  • Try out things even if the final product looks like something you don't like. You still might find techniques that you can use to make things you do like.

That's all I have today. It's been a busy week, and I'm tired but want to spend some time reading some blogs before bed (it's such a great way to unwind!). What things might you stretch yourself by doing? I'd love to hear what you're trying out.

Until next time,
Kim

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15

Sometimes when I'm trying something new with something I do a lot of (writing!), it becomes a real struggle. My brain doesn't want to take in the new information because it says, "But I already know all sorts of stuff about this topic!" Even though I know the information I'm trying to take in is new or might give me a new perspective, I run up against all the things I already know, and I think I know enough and don't need the new stuff.

The thing is, new stuff is pretty much always good. A new perspective, a new way of approaching something, all of that can lead to creative growth. But you (I!) have to bring yourself to a place where you can let in the new stuff. You have to get back to beginner mind.

When I'm in that place I return to Natalie Goldberg's writings about beginner mind to help me open up to new things and look at new things the way I would have as an absolute beginner. This article shares some of her thoughts on that. I'd like to also add a few ideas of my own.

  • You can't unlearn what you already know to get to beginner mind. I find that it's not a forgetting of what has come before. It's more a quieting of the voices telling you what you already know. Self-talk helps a lot with this for me. "Yes, but I don't know this thing from this person's perspective." Or, in the case of things like writing exercises and things to do, "Just do it and see what happens even if I already know how to do this a different way. See if the two ways go together." Things like that, acknowledging that I do know things but am trying new things anyhow really helps me get past the resistance and into more of a beginner mindset.
  • Talking back to the judgemental voice helps me, too. My brain sometimes has a fit about the new thing being different from what I already know and likes to throw out "this is dumb!" or "this is wrong!" messages. I tell myself, "It's just new. Just try it and see what happens." (That "try it and see what happens" is my favorite!)
  • As I work through new techniques and ideas, I do a comparison to see how they are like what I already know. Then I find where the differences are. My brain likes to analyze things, so doing this opens me up to moving forward with the new stuff.
  • Finally, sometimes I fall back on a favorite KaizenMuse saying. "So what? I'll do it anyway!" I just add a bunch of attitude and plow forward.

I'll admit, I am mostly writing this to remind myself that trying new things is good and useful. I'm butting up against my "but I already know stuff!" voice a lot as I work on The 90-Day Novel, I need the reminders to keep going anyhow. I hope some of this is useful for you if you're trying something new in an area you're already knowledgeable in, too.

As an aside, I always feel weird ending blog posts. I feel like there should be something that says, "the end," but not just a wrap-up paragraph as if it's an essay. So I'm going to try a sign-off.

Until next time,
Kim

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12

At least not exactly when you think you should exactly the way you think you should. Sometimes it takes more time. Sometimes it looks different than you thought it would.

I seem to be full of songs today. Also full of rants. This is one.

There's this idea that gets thrown around in various forms a lot. Too much. I saw a version of it go by online again today. It goes something like, "If you really want to do something you'll find a way. If you don't find a way, you must not really want it or it's not really important to you."

This is garbage. It's all lies. I suspect that the idea was first put out there by someone trying to sell their very special system for helping you get what you really want.

The thing is, there's so much more to following your dreams and doing the things you really want to do than just putting your mind to it. Willpower and organization won't get around depression, anxiety, other mental health issues. They won't get around health issues--your own or those of loved ones and people you take care of. There's a lot of stuff that can get in the way of your dreams. None of that means you don't really want it, it isn't really your passion (or one of them), or that it wasn't meant to be or you're not cut out for it.

If you have a dream, if you want to create, hold onto it. Don't listen to the people telling you any of this junk about you not doing enough, being enough, wanting it enough. You are enough. Your dream is enough. Go do it your way!

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Photo by Tatiana Rodriguez on Unsplash

We're in Week Two of NaNoWriMo, and I'm way behind. I'll probably catch up, but I might not. I might fail. And that's okay.

I'm seeing a lot of my fellow WriMos in the same boat and lamenting their possible fate and being really down on themselves, though, so I wanted to talk about failing. Don't get hung up on it. Failing is not the worst thing that can happen.

Sometimes failing can be a good thing. How?

  • Failing can show you things that don't work so you can start over and avoid them
  • Failing can show you things you never thought of so new ideas and new projects might spring up
  • Failing can show you that you are doing something, you are out there moving ahead, you are trying (and yes, there is such a thing as trying; Yoda was wrong, and you can see my thoughts on that here)
  • Failing can remind you that there are still things to learn and discover out there and rekindle your enthusiasm

Failing isn't usually fun (unless it's cake experiments--that can be a lot of fun). But it's not a terrible thing to avoid. If you never fail, you might be playing it safe, and that's probably going to keep you from getting where you want to go. So try things out, reach a little, let yourself fail, and remember it's all part of the process, not the end of things. Failing is just another step. You took that step, you fell down. Now, get up and try again.

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In my last post, I talked about how giving attention to our creative work and making time for art is really important right now.

It's also really hard right now. These are stressful, anxious times, and those feelings can make being creative feel really hard. And yet if we aren't getting to our creative work, that also makes us feel anxious, restless, not quite right. So what do you do when you want to do creative work but you can't seem to make it happen?

Find a way to just dip your toes into creativity. Find things that are easy, don't take too much time, are soothing if possible, fun if possible, engaging without needing laser focus. What you do isn't the important part; the important part is touching base with your creative life to keep connected.

My favorite thing to do when I want to do my art but can't settle into it is creative busy work. It's stuff that needs to get done for your creative work, but it doesn't usually require quite as much time, energy, or brain power. Things like organizing, prepping, tidying, planning, things that let you get your hands on your creative work but in a lighter and easier way than fully immersing yourself.

Some creative busy work projects:

  • Wind skeins of yarn into balls for your next knitting or crocheting project (or skeins of floss for embroidery)
  • Gather paints and sorting or organizing them for easier use on your next project
  • Clip words and pictures out of magazines for your next collage, junk journal, or art journal project
  • Put down layers of paint in your art journal for backgrounds
  • Pull gel prints for future use as backgrounds or in collages, etc.
  • Practice brush lettering or other hand lettering
  • Doodle
  • Make a color swatch (so many fun ideas for color swatches at Daisy Yellow--check out the link!) with your favorite markers, paints, colored pencils, etc.
  • Add to or organize inspirational Pinterest boards
  • Page through magazines about your art or ones that inspire you in some way

One last suggestion--keep a list of creative busy work. Put it in the front of your journal or planner or somewhere you can look at it easily. Sometimes when you're restless and want to do something, trying to remember the ideas you had about what to do gets hard. Make it easier for yourself! Easy is good.

I hope this has helped a little if you've been feeling stuck or unfocused lately. And if you have other things you like to do to help ease yourself out of a creative slump, I'd love to hear about them! Drop a note in the comments, or find me on social media.

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2

My mini book from Seth Apter's class

I was just getting back to blogging in the spring. And then on top of the pandemic, George Floyd was murdered right in public by a police officer, and the crumbling world caved in. I couldn’t bring myself to write about anything that wasn’t Black Lives Matter or mask wearing. Nothing else seemed important. I spent a lot of time (still do, just not exclusively) on social media sharing things to try to help, to try to spread the word about what was happening and maybe ways to make changes.

Talking, sharing, protesting, writing letters--it's important work we have to keep doing. But I was sinking in on myself more and more every day, and I didn't know what to do. And then a class popped up-- Seth Apter’s Mini Book Madness. It was so inexpensive, and the books were delightful, and it was easily accessible. I signed up. I started my book in class and spent days finishing it. I was so in love I bought supplies to make more books (which hasn’t happened yet, but I have my stuff, and it will). I felt a little more like me. I felt a little calmer, a little more focused, a little less constantly enraged.

Right now doing our art, making things, creating may seem pointless. Worse, it may feel selfish.

Right now, our art is necessary.

Stopping and later recovering from this pandemic is a long-haul thing. Continuing the fight against police violence and racial injustice and inequity is a long-haul thing. That means that we have to figure out how to do all the work on these things at the same time as we are having lives. And that means taking care of ourselves and doing the things that buoy us up and help us keep going, that help us keep hope and help us bring light to ourselves and others.

There have been articles and posts about this already. I’m not saying anything new. But I feel like my blog is something that people read in quieter times, so maybe the words will sink in a little easier. Or the ideas might sink in from repetition. In any case, I just wanted to say it out loud.

Living our lives, making our art, doing our creative work--it’s important. We have to have a full and thriving world to move back into once we fix these crises. We can’t build that world or keep it going if we burn ourselves out. 

Next time I’ll talk about some small ways to get back to your art if it’s a struggle. For now, just remember that you can do it for just 5 minutes, you can do it badly, you can just spend time sorting supplies. It doesn’t have to be complicated. Now, go make something!

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